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Please ︎ contact Katia if you are interested in purchasing any of the following scores:
List of Arrangements:
Walking in the Air
Carol of the Bells
Tubular Bells
Somebody that I Used to Know
The Path of the Wind
La Valse d’Amelie
Madge on a Tree
Sakura
Baroque Flamenco
Clair de Lune
Fly me to the Moon
Scarborough Fair
Silent Night
Jingle Bells
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ABOUT/MORE INFO︎︎︎︎︎︎︎︎︎
︎ Advanced/Pedal
Walking in the Air, by Howard Blake; arr. K. Mestrovic (4︎) - for Solo Harp

Zoom recording of arrangement at The Catholic Parish of Sacred Heart and Saint Columba, Elwood (Dec, 2025):
Carol of the Bells, by Mykola Lyontovych; arr. K. Mestrovic (4︎) - for Solo Harp

Zoom recording of arrangement at The Catholic Parish of Sacred Heart and Saint Columba, Elwood (Dec, 2025):
Tubular Bells Pt. 1 - first 6 minutes, by Mike Oldfield; arr. K. Mestrovic
For Harp, Flute, Bass, Electric Guitar, and percussion
NOTE: Amplification & Loop Pedal Required
(7︎) - Harp and Flute part
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I-phone recording of Tubular Bells at Fomora Band single launch (Dec, 2025):
︎ Five Harp Ensemble / Beginner-Intermediate / Lever
︎Each arrangement includes a FULL SCORE PDF + 5 HARP PARTS
Somebody that I Used to Know, by Gotye; arr. K. Mestrovic
Extended Harp Techniques (inaudible on midi file): xylophonic effect, nails, p.d.l.t., knocking on the soudning board, string bending
The Path of the Wind, by Joe Hisaishi; arr. by K. Mestrovic
Extended Harp Techniques (inaudible on midi file): harmonics
La Valse D’Amélie, by Yann Tiersen; arr. by K. Mestrovic
Extended Harp Techniques (inaudible on midi file): harmonics
Sakura, Japanese Folk Song arr. for harp by N. Gustavson; ensemble arr. by K. Mestrovic
Madge on a Tree, Anonymous - from John Playford’s The English Dancing Master (c1651 - 1728); ensemble arr. by K. Mestrovic
Baroque Flamenco, by D. Henson-Conant; ensemble arr. by K. Mestrovic
Extended Harp Techniques (inaudible on midi file): strumming, glissandi (regular and nail), gushing chords, knocking on the sounding board
MIDI File ommitted as the extended techniques sound very innacturately on Sibelius
